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Review : Skyharbor – Blinding White Noise :Illusion and Chaos

Skyharbor is probably like the new textbook which is introduced in the ‘music fraternity’ – so pertaining to the analogy, it also will be at the receiving end of both accolades and rants. Nonetheless , the album which is hyped from such a long time needs to have a lot to sustain (marketwise) and amaze (music wise) , considering the amazing releases we had in the first quarter of 2012.

Since the inception of Keshav Dhar’s (writer,producer ,head honcho of Skyharbor) solo project Hydrodjent , a lot of metalheads in the indian scene were exposed to Djent/experimental/heavily odd-timed music. This happening more on general terms, international acts who were far ahead in their game were quickly absorbed by the indian fans and thus relative comparison resulted in discussions/rants regarding Hydrodjent’s music as well as future.But in the four years which Keshav took as a musician and producer to craft his dream into a fully blossomed project as well as a total band (original was with programmed drums etc), his unperturbed determination becomes now evident after you hear the entire album.

Coming to the album,it is just impossible to do two things as a listener – find Keshav’s influences and categorize the album into a genre/sub-genre . Prog-metal can be the closest it can get.The album is primarily divided into two aspects – ‘Illusion’ and ‘Chaos’ which are like Yin-Yang in the album, but musically. The thunderously layered guitar work in the songs coming under the ‘Chaos’ shelter is like the exact opposite of the soothing distant melo-chugging of the songs spanning the ‘Illusion’ shelter.Since the dawn of musicians making ‘Concept’ albums, bands like Eluveitie(New wave of folk metal) , Vildjharta(Djent/experimental) or even Skyharbor , the musical wow-ness has exponentially ¬† rocketed . But not all nail it the way Skyharbor has done it, the songs flow like seasons of india, turbulent and soothing alternatively. The musical genius shows when Keshav does this ‘weather-change’ effectively in each of the ‘illusion’ and ‘chaos’ tracks.The title track ‘Dots’ has the most peppy intro riffs iv heard in recent times. Sounding unique is one aspect but creating a distinct sound right from the first note is no cakewalk.My personal pick off the entire album is ‘Aphasia’ – the track is a maddening adventure with soothing¬† clean layers perfectly moulded.¬† Sunneith Revankar(Sunny) of ‘Bhayank Maut’ (India) features as the growling vocals on the album – by far the best growls from the Indian Subcontinent ,he shook my ground with his clean sections on ‘Aphasia’ . The intensity which is created because of the vocal layering is just too overwhelming. As for the tracks featuring Dan Tompkins (ex- Tesseract,Absent Hearts) , the less said (more heard) the better.First off he has completely chucked ‘Autotune’ on all the tracks which add a raw edge to his highs and bring out a very unique listening experience. Most of the fans are loving this approach and tracks which have ridiculous vocal variations like ‘Catharsis’ and ‘Celestial’ sound mind numbingly smooth yet impossible to replicate. Out of the ‘illusion’ shelter – ‘Catharsis’ and ‘Maeva’ stand out as unique pieces both for their progression and chug-work.

Speaking about the guest-guitars, Marty Friedman (Ex-megadeth) and Vishal J Singh (Amogh Symphony,India) deliver the required punch to their respective tracks.Friedman’s solos quite honestly feel dated but Keshav’s production makes them sound amazing and has placed them at places which truly bring out the best in tracks. Vishal is a well-known virtuoso in india and his contribution plays an importantly role if you view the album from a producers perspective. Anup Sastry , the prodigy of a drummer did a fantastic job as the bands first ‘real’ drummer (since the original drums were programmed) and set the stage on fire at the NH7 Weekender gig Skyharbor played for the first time as a complete band. Moreover the machine-gun double bass patterns or the silent high hat plays, Anup nails every task Keshav set in the programmed drums with ease and finesse.

Speaking of production value – no 0ne in the indian production scene ,and i mean no one, makes guitars sound ‘warm and delicious’ at the same time. Keshav’s prowess as a producer outshines his musical genuius to be honest. The ambient tones of ‘Celestial’ and ‘Aurora’ are work of art.Skyharbor’s album is undoubtedly the most production-wise outstanding album . The only indian band which matches this is Providence and that too because their album is mixed/mastered by Keshav himself.The album art is equally intriguing . With an instragram churned picture of a calm ,serene ocean – the cover art with the name is enough to give you a calming feeling when you see the CD or hear the album, although the calm before the ‘CHAOS’ is also my own interpretation of the album art.Keshav Dhar = Skyharbor is a wrong equation since the ideas need concrete and fitting pillars which are provided by all the supporting artists. The mastermind undoubtedly is Keshav.

The album is captioned by Basick Records (Record Label of Skyharbor) as ‘India’s brightest hope’ and is quite apt to a certain degree. Keshav’s efforts are appreciated worldwide and he deserves every bit of it but to any label reading this review i strongly urge you’ll to step inside and hear the indian bands which infuse a lot of elements catering to variety of emotions and new musical ‘needs’.If you are an indian listening to this album- right from the oceanic artwork to the guitar work – every moment will make you realize how strangely the album relates to our roots in some way or the other whereas for a global listener , its a treat catering to his (almost) every expectation of how a Skyharbor album should sound like.

Prog-metal fan or not, the ambience and warmth from one end and relentless surge of adrenaline from the other converge perfectly and will make you hear this album now and 20 years later with the same zeal – timeless in every sense.

Rating 9/10

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