The Oxford Dictionary defines Evolution as the gradual development of something.Well we can always replace that ‘something’ with matters more relevant to us.In terms of music this term is probably the most ‘thrown around’. Be it the ‘scene’ or entire fraternity, genre irrelevant.The second most thrown around term would be the term ‘Poseur’ which is something more subjected to the heavy-metal genre/sub-genres.Evolution in terms of music is exactly the way Darwin would have put forth if he was in the death-core scene and not the science ‘scene’.
The drum kit that we all see now is an amalgamation of different smaller instruments which were used in the orchestra of the early days.The bass guitar that we enjoy being slammed and plucked was first a huge instrument which needed one person to hold and one person to play.So basically the change or ‘compactness’ that was induced in the music fraternity was to ease the making/playing of music. So is Evolution in the music fraternity solely subjected to making everything easy? 90% of us would disagree saying that the drum kit is now even more complex as well as a limitless instrument in terms of variation. The advent of electronic samples/programmed instruments and recording wizardy makes the making of music easy but subsequently difficult to churn out something worth cherishing.
So does Evolution mean ‘to grow out of something’ ?How many times have you heard someone making a straight face and saying ‘Oh i was into this band/artist ,but then i grew out of it’ .Or the shame that engulfs when you find a old-school track in a new-age playlist and the person defensively says – ‘ baaah! long time back bro! ‘The time when Linkin Park hit Indian shores everyone was engulfed into the Nu-metal rap-rock marriage that the guys brought.Korn which is credited to lot of nu-metal along with Limp Bizkit are also loved by all and equally scorned at for going ‘dub step’.With the modern music desperately trying to go more ‘different’ and going ‘odd-time’, how many times have we gone ballistic on bands which ‘sucked at production’ or ‘are a thing of the past’.knowingly or unknowingly we all have done it. We may not accept it but masking our rants under the word ‘Evolution’ we ruthlessly bash out bands who’s music we once relished and downloaded for free.
Music is definitely evolving. But this evolution is like different people in different parallel universes.Categorizing people (although it is a wrong ritual) , into Musicians, Listeners and Producers – each have their special share in shaping up this evolution in their own universe.While some may shed a tear going back to a band which carry nostalgic memories , some may laugh at their musical choices they nurtured few years ago – all in their own space.
The moral of the whole term is how you use it. Defaming bands/musicians/artists just because they have not gone ‘new’ or staying ‘old school’ is wrong. Calling new-age crusaders as ‘stupid and art destroyers’ is also wrong.But if we actually look at Evolution of Music as a gradual process similar to the Human Life-Cycle it would do nothing but benefit the fraternity.Its like , music is made, music dies, but the ones who made a mark – are always remembered and cherished.
Apart from their mouthwatering cuisine and romantic hotspots , the french have yet again offered us – Uneven Structure.
They came out with their EP in 2009 – time when the Djent scene was picking up pace – and it wasnt untill a year later that their efforts got the credit(globally) it deserved. These guys have been on my ipod for almost a year now and their musical brilliance still baffles me.
Two words to describe this album – Heavily Ambient
Right from the first track “Awaken” to the aptly named “Finale” you are made to bow down before this pagan-god themed album. The echoing screams and the crystal clear vocals blend in effortlessly into each track.
The beauty of Februus is that even when the songs reach their climax in terms of heaviness – the atmosphere created is nothing short of serene.
“Frost” – my pick from the album- has its atmospheric passages which make you feel you are actually coming in terms to something that is beyond words and celestial . The influence of Tesseract is quite audible but the dark ambient passages which throw a bright light of maximum “djenty twang” is something that is signature Uneven Structure.
With the saturation of bands trying to go over-board with Djent guitar tone – Uneven structure preserves their progression from their EP and add up brilliant atmospherics and insane drum rudiments to their debut LP.
Fans of ANY sub-genre of metal can seamlessly fit into their style of music as it caters to ears that crave for melody as well as musical complexity and brutality.
This album is a sure winner in the slew of releases of the similar genre (as of yet – we still have Vildhjarta to surprise us) and marks the beginning of a band which knows exactly HOW to harness the power of Djent .
…and the whole album!